Michael Anthony Mangini

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Mike Mangini has successfully applied his Rhythm Knowledge learning method to all styles of music, from Classical & Jazz to Speed Metal. He has consistently developed both the melodic and rhythmic sides of his musical personality. He has documented his command of these styles on recordings, with Internationally Renown and Multi Platinum Selling bands, as a multi-time Grammy nominee, as the featured clinician at most every drum festival in the world, and as a full-time faculty member at Berklee College of Music along with being named to their Educational Committee and as Advisor to the Percussion students.
He is both teacher and student. He has been performing since the age of 4 and studying music since age 5. He studied percussion privately with Walter Tokarczyk (Public School System, Waltham, MA), from age 10 through 18. Since 1987 he has given private instruction to drummers, guitarists, and pianists. Michael completed his first drum clinic tour in 1996, and since then he has traveled the World as a clinician selling out venues in over 40 countries. The principles on which he based his extraordinary style can be found in his publications entitled "Rhythm Knowledge" Volumes I and II.
His numerous awards include: Official Multi Category W.F.D. World’s Fastest Drummer, Boston's Best Drummer/Rhythm Section; NAJE All Eastern United States Percussionist - First Chair; All Massachusetts Jazz Band Drummer - First Chair; All Massachusetts Concert Band Percussionist - First Chair; All Massachusetts (N.E. District) Jazz Band Drummer - First Chair; Concert Band Percussionist (N.E. District) First Chair., and he appears in Drum Magazine Reader’s Polls yearly.

He has spent time in the recording studios. His more celebrated Rock credits include his 6 records in 4 years with Steve Vai, Waiting for the Punchline by Extreme, Set the World on Fire, Metal & All for You by Annihilator, (Mullmuzzler 1, 2, and Elements of Persuasion) with Dream Theater’s James LaBrie, & Tourist by Pop Artist Chris Emerson .

When Mike speaks of the importance of being able to relate to others "in and out of the limelight", he is talking from experience. He has performed in over 40 countries numerous times, led his High School bandmates to State, or National 1st place victories in Classical, Jazz, Percussin Ensemble and Marching Band, as well as, won Outstanding Musician Honors 7 times at mulit-school events, and is an active clinician with close multi year relationships to his endorsement companies and to the bulk of his drumming peers. He has also earned the respcect of his students on a personal and professional level with the highest student response rate percentage (in three consecutive years,) for all college professors in the national OCE online evaluations. It is an honor for Bateröz to share Michael´s words with his readers.


.What is your city, country and age ? Boston, USA, 46.

What led you to study drums ?
I don't know. I understood the shapes and tones of the drum sets I saw on album covers when I was 2 or so. I was performing by age 4 and studying by age 5. Maybe I was born with a drum magnet in me and was lucky to have older siblings that helped me along.

What were your main teachers ? Walter Tokarczyk.

What was your first important concert ? Annihilator in London in 1993.

What was your first recording in a music studio ?
Rick Berlin the Movie (Boston).

How is your study routine in drums ?
No routine since 1998 except this year. I finally had knee surgery and I practice 5 hours per week at home and between students when I can at Berklee where I teach.

What drums books do you play regularly ?
Mine. "Rhythm Knowledge" volumes one and two, along with my new excercises.

What styles of music do you prefer to listen to ?
Riff oriented Hard Rock/Metal. For example, Black Sabbath, Led Zeppelin.

What styles of music do you prefer to play ?
All. Please look at my bio on my website.




What are your tips to improve the hands technique ?
Develop strength with no sticks in the big muscles, then work on technique with the smaller ones.

What are your tips to improve the feets technique ? Work on balance.

What are your tips to improve our drums independence ?
Work on balance and use the eyes, not the ears.

What are your tips to improve more speed on the drumkit ?
Use distance. For example, practice paradiddles from the left crash cymbal bell to the floor tom on the right side.

What latin drummers do you like ?
So many are so, so great ... Horacio Hernández is my #1.




If you could invite some great musicians for play 3 concerts around the world ...
Who would you call ? Where ? You play there ?
I would call Ronnie James Dio, Dug Pinnick and Jimmy Page. The concerts would be at the Boston Gahhden, the next Olympic Closing Ceremony, and in my frikking parents basement straight to TV.

Something you really try and try with the drums and you could not get yet or are not satisfied with the results you got ?
My right leg has been terrible, terrible since I was a teenager and injured it in sports. I can play ultra fast stuff, but not slightly slower stuff well; it is tense and messy. My feet are great only very little and are tense and awful most of the time until now. I only now got it fixed with surgery. I am now playing things I never could touch before. I feel so much better because I knew something was wrong with me and it is now repaired.

A link to you for drums classes and music performances ?
Most Youtube clips of me suck and piss me off because people only post the fast hands stuff. It is not musical, it is not meant to be musical; it is meant to be entertaining to a live crowd, not meant to be put on Youtube without my permission and only a for a clip. People put up a clip of me, but they do not put up the other 30 minutes of drum solo that is groove and not crazy stuff.

Anything else you want to share with us ?
I will be filming my own clips for youtube before I leave for Italy in may. I will also be filming on the road. I would like these clips to get more hits on Youtube than the other stuff that I did not put up. Check my Facebook page and website and my Youtube in April of 2010.





Thanks Michael for share your words with Bateröz ! Sincerely, Tito Faraut García.
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Drummer Deborah Illeene Kuhn

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What is your city, country and age ?
Oak Park, Michigan, USA, 47 years old.

What led you to study drums ?
I was given my first drum by my great-grandparents when I was only 18 months old. It was a steel drum with fife & drum patriots painted on its side, shown marching while playing their instruments. My Grandfather whittled drumsticks out of some hard tar substance and I was in business !
By the age of 4, I had a good look at my (then teenaged) Uncle Marvin’s kit while visiting my grandparents. I was in awe ! By the age of 12, I had my first kit, 1967 Ludwigs, and still have those drums today.

What were your main teachers ?
I started music class in elementary school at age seven. We were able to choose an instrument, drums were not my first choice. I wanted to play a saxaphone but Mom said no (too squeaky according to her) so after some debate I carefully chose drums & signed on in the percussion section of band class.
Mr. Kagenich was my first instructor. Before hitting my teens, Don Morse was my private tutor for a short time. However, the most influential musician who taught me the skills required to sit with a band was a guitar player named Dennis Bergh from Allen Park, Michigan. I started playing at his house when I was 14. He & his other musician friends were in their thirties or older.
I had no choice but to learn how to play if I was gonna hang out with those cats, they were serious, polished musicians and Dennis Bergh was my own “Eric Clapton”.

What was your first important concert ?
Probably a recital for school. By age 10, I was sitting in with house bands at my Dad’s catering hall. Often, I was up in front of a couple hundred people playing songs such as Proud Mary, Summer Breeze, & Takin’ Care of Business … heard them so many times that they were easy to play. People would stand at the edge of the stage watching me, the ten year old, play with the guys !

What was your first recording in a music studio ?
No. My first recordings were with my best friend in my upstairs bedroom where I had the entire floor to myself. Drums, organ, guitar, stereo.
I spoiled myself with music. Our first song was called “PrimaDonna” and sounded much like “My Sharona” by The Knack. Thing is, that song wasn’t released ‘til years after our recording and we were amazed at how much it sounded like our own.

How is your study routine in drums ?
Now, I practice very frequently. I also play with several musicians outside of my band, Capital Street Basement Musicians. In years past, there have been periods where I haven’t played for more than a year.

What drums books do you play regularly ? N/A.




Tell us about your best bands !
I can’t say there exists a best band in my mind as each band has had its finer points. I truly enjoyed the female band I started with guitarist Charlene Parker called “Triangle” but there were complications with stage-fright & the poorly chosen cure that my lead guitarist implimented: she drank alcohol to calm her nerves but then couldn’t perform properly by doing so. I stopped booking gigs for that reason.
Electric Oddysey was my first band in high school & faded quickly when I went to college. Graduation parties were our thing at the time.
Madhouse was an early eighties Rock band that I drummed for & it was loaded with talent and promise but personal tragedy kept me from busting out with that band.
I had earned the position after nearly 30 drummers tried out (all male drummers) then the band heard me & the deal was sealed ! Wow, Art Stepaniak, an award winning guitarist, was a phenominal leader & the loss of that oportunity really burned deep.
Capital Street Basement Musicians is my creation. I have worked my tail off to make things happen & we are just about ready to bust loose. Our first CD, “Up From The Basement”, was released at AJ’s Music Café in November of 2009. We mix Native American, Classic Rock, & originals up with a fat-bottom flair using two bass players, one lead guitarist/singer, and drums/vocals by me. I love te concept though it has its strained moments !

What concerts you played are always remember as very good ?
AJ’s Music Café was a lot of fun. A Fire & Ice Lounge concert was memorable because I sat in as guest drummer during second set & the crowd made clear that they didn’t want the actual drummer back for the third set (they rooted for me to continue) that was pretty memorable.

What self-recording on CD most identify you ?
“Drummer’s Delite” is a song my current band does & is on our CD. It is my creation/orchestration & serves as a nice representation of my passion for drumming.

What styles of music do you prefer to listen to ?
Blues, R&B, Classic Rock, Alternative, Jazz, Soul, Classical & some Heavy Metal.

What styles of music do you prefer to play ? Blues & Rock.



What are your tips to improve the hands technique ?
Balancing strength between left & right hand speed & accuracy, I often practice rolls from edge to center, soft to loud for control. I also use reversal drills & tom rolls for a more polished effect.

What are your tips to improve the feets technique ?
Hands at rest, using only feet on both bass pedals to perform repeated paradiddles, triplets, rolls & other unique compinations. I also use a heel/toe action on left foot to control hi-hat & left bass pedal for added flexibility.

What are your tips to improve our drums independence ?
Learn chords, notes, & rifs on guitars so that you can ask a guitarist to perform various tasks in their language. Only then can you get them to cooperate with your ideas when trying to implement your own ideas.
Many drummers simply play a beat to some song that someone else wrote/created. There is so much more to accomplish when drummers can control their egotistical guitarist !

What are your tips to improve more speed on the drumkit ?
Practice ! Practice ! Practice ! Think of a train or lawnmower. A noisey machine that produces a percussive sound, then utilize your equipment to match those sounds. I was always impressed when my mentors could make a snare sound like a humming lawnmower.
Machines are great percussive instruments that have rpm’s. Drummers have bpm’s (beats per minute). Always work toward bpm’s. Metranomes help where imagination fails.




Who are your 10 favorite drummers and why ?
#1 is John Bonham. After that long pause, Ginger Baker, Buddy Rich, Carmine Appice, Gene Krupa, Max Roach … then a local woman & friend named Gayelynn McKinney, daughter of the late Harold McKinney (a well-known jazz pianist).
After that, Simon Kirke from Bad Company, Dennis Elliot from Foreigner, Mick Fleetwood of Fleetwood Mac, Charlie Allen Martin my hometown boy from Bob Seger’s band and, as a bonus, Edwina Lee Tyler (an African hand drummer). Why ? because they have produced great percussion that made songs the hits that they are.

What latin drummers do you like ?
Santana is my favorite Latin musician. He is acutely aware of the importance of his percussion section & so the quality of drumming is always top-notch.
Locally, I enjoy Obed Succari on congas/latin percussion. He has been to some of my jam sessions & is generally very busy with gigs around town.

If you could invite some great musicians for play 3 concerts around the world ... Who would you call ? Where ? You play there ?
Jimmy Page, Michael McDonald, Herbie Hancock, Grover Washington, Paul Rodgers, John Paul Jones, and more. Detroit, London and Munich. And, of course, I would gladly play my tail off !

Something you really try and try with the drums and you could not get yet or are not satisfied with the results you got ?
Double Bass techniques because it’s new for me (about 2 months now) after 40 years of playing w/single bass. But I am improving everyday !

A link to you for drums classes and music performances ?
www.youtube.com/dodahkeepstime
Or look me up on Facebook !

Anything else you want to share with us ?
I love my vintage drums, all Ludwigs, ranging from 1960 to 1967.



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Drummers Interviews Questions:

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Bateröz Drummers Magazine online. Please answer only those questions where you feel really comfortable with it. Delete the questions that you do not answer it. Send 5 littles photos with your drums to us. Send the answers to: tamborlatino@yahoo.com
Thank you for your participation. Sincerely, Tito Faraut García from Bateröz Drumfest.

Your full name here.
What is your city, country and age ?
What led you to study drums ?
What were your main teachers ?
What was your first important concert ?
What was your first recording in a music studio ?
How is your study routine in drums ?
What drums books do you play regularly ?
Tell us about your best bands !
What concerts you played are always remember as very good ?
What self-recording on CD most identify you ?
What styles of music do you prefer to listen to ?
What styles of music do you prefer to play ?
What are your tips to improve the hands technique ?
What are your tips to improve the feets technique ?
What are your tips to improve our drums independence ?
What are your tips to improve more speed on the drumkit ?
Who are your 10 favorite drummers and why ?
What latin drummers do you like ?
If you could invite some great musicians for play 3 concerts around the world ... Who would you call ? Where ? You play there ?
Something you really try and try with the drums and you could not get yet or are not satisfied with the results you got ?
A link to you for drums classes and music performances ?
Anything else you want to share with us ?
Send the answers to: tamborlatino@yahoo.com

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You can be a famous drummer. Promote your music career.
Just answer our 22 questions and send to us. Add 5 photos.
Share this blog in Facebook with a click in the black navbar on the top.